This year September 30th marks the 60th anniversary of James Dean's
death by careless driving.. he thought the occupant of the other car who
was pulling out up ahead on to the same stretch of the highway would
see him speeding towards him but in the dusky desert sky the silver
Porsche Spyder car became another mirage and Donald Turnipseed pulled
out and that was the story of James Dean..
In Fairmount Indiana the news
of Dean's death was reported as Local Fairmount Man Killed in
Car Collision.. thus a legend was born and countless conspiracy
theories about the badly disfigured young star being holed up in a
hospital / sanitorium somewhere began..
Morrissey visited the Winslow
farm Dean grew up on for his video Suede Head.. Jimmy Dean became the
idol for disenfranchised youth and Rebel Without A Cause became the
first film in Hollywood to feature a young male gay teen character Plato
played by Sal Mineo.. and The Eagles wrote a song about him..
The title comes from a verse in the Book of Revelation:
“And when he had opened the fourth seal, I heard the
voice of the fourth beast say, ‘Come and see.' And I looked, and behold
a pale horse: and his name that sat on him was Death, and Hell followed
with him. And power was given unto them over the fourth part of the
earth, to kill with sword, and with hunger, and with death, and with the
beasts of the earth.”
Young Florya wants to become a boy soldier and fight the Nazi's. We witness the devastating experiences the Belarussian's suffered under Nazi rule through Florya's eyes. It is a relentless film in that we the audience are not offered any visual relief to look away from the unrelenting horror young Florya faces and comes across and is witness to in his daily life under the Nazi's. At times it is very uncomfortable viewing but a story that needs to be told and witnessed.Through Florya we become voyeurs to this genocide.
I first heard about this film having visited a Jake and Dinos Chapman exhibition in the Serpentine a few years back and had read somewhere that the Chapman's Nazi vitrine HELL scenes were partly inspired by the film.
(1925-1986) was an artist, filmmaker, designer, and educator, whose experimental work looked at the relationship between
visual form and kinetic movement.He designed and built kinetic light machines, filming the light forms being projected and abstracted by special image-distorting lenses built in to the kinetic machines. The film that brought him to the worlds attention was Kineformy (Cineforms) in 1957.
Maybe somewhere his work was influenced by the work of the Hungarian Bauhaus educator / artist / designer Laszlo Moholy-Nagy who in 1930 created a kinetic light machine called the "Lichtrequisit einer elektrischen Bühne" (Light Prop for an Electric Stage) but which came to be known after his death as the Light-Space Modulator.
I did a lot of reading about colour and abstract painting over the year.. I feel I'm drawn more towards abstract art rather than figurative or landscape or realist painting even though I have my own personal favourite artists in those fields. My eye is abstract. I'm a lens based artist, studied graphic design previously. Most graphic design is based on abstract shapes or arrangements.
I started using watercolour inks to make these on A3 sized white card. I would find doing these meditative and would usually do them after work, at weekends, sitting in the front room in front of the television or watching a film. Because the scale of the work it would take me a few days to finish them (just like the Enso drawings in another post) and I would have to use my concentration skills to get them right (I'm a very good listener and I have a heightened sense of hearing so would 'hear' these programmes and films instead of 'watching' them).
I found the watercolour inks to be very rich in colour. There are a few colours I really like using because my eye is drawn to them so I like to use them (I guess thats something to factor in when artists chose the palettes they use in their work as its not just random colours they use, its all relative in some way) and I would use a number 1 brush to draw them and colour them in - hence why it was so meditative for me!
Some of them work, some of them don't. I like to show things that don't work as much as those that do because they can be interesting too. I wasn't taught as a painter.
Here's a 'before' and 'after' as an example..
The yellow, light blue, and the red are colours I like. I started off thinking if I could do it in one colour and then the other colours sort of jumped in.
I do like using one colour only. And I like where it takes me because these aren't marked out or planned, they just happen. Depends on my mood, if I'm in a rush or not, if I'm hot or cold, what kind of day its been. All factors apply to how it turns out at the end.
..but probably only because its easier to focus on one part of the body at any one time as opposed to focusing on the different parts of a life drawing, making them work together and keeping dimensions relative to the other bits.. its a lot to juggle!
I don't post here much, a lot of things going on.. but here is a compendium of photos of various drawings I did on a few life drawing sessions I attended throughout last year.
I do believe that drawing is a skill that needs to be used to keep sharpened just like you would if you were using a tool fora hobby or your work. Its a great skill and teaches you about how to look at things and also about observation skills. You think you know what something looks like because you have seen it but you need to observe it to refine it and to notice the small details we may skip by thinking that we know what something looks like.
I don't think I'm perfect. In fact I hate drawing. Actually because I think I'm not any good at it, or because I think it doesn't look like what I think it should look like I hate doing it. Its the perfectionist in me I guess. But last year I overcame my dread of drawing and these are some of the results.